If worst comes to worst, Caruso's version from will have to do given it's a legitimate version put out by ITC. I do understand what you are saying about the transition from material to digital though and how there will likely be alterations in the process. I'm more focused on getting a typeface that has at least similar characteristics in the letter forms themselves. I'm not too worried about the kerning, tracking, and all that. It's seen in a couple different letters as well, not as apparent but apparent enough for it to be noticeable on a smaller scale (I was examining the Franklin Gothic ATF typeface at 12pt., standard view, 100% zoom level, on a 8.5x11 canvas in Photoshop when I noticed the variations). The biggest give away is seen in the "N" and "A." There is a distinct change in weight along the stems and hairline of the "N." The "A" has a thinner left hairline compared to the right hairline and crossbar.
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